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The Team of Akan’s Tower/trained in the most relevant methods of addiction treatment

28/06/2011 By Leave a Comment

If you remember about Akan’s friends, you could easily recognize, standing in front of the entry of A-Tower:

- “Betsy Mac Call”: the American Paper Doll living on the 16th floor; the special one who was listening and consoling anorexic person in special need.

 

 

Betsy  Mac Call. Alice Odilon Copyrights

 

- “Blythe Somat”: the Hemiplegic Flower Doll on the second floor.

 

Blythe Somat and Betsy Mac Call. Alice Odilon Copyrights.

- The Androgynous Doll “Isee” who has been involved recently in Akan’s Tower.

The androgynous doll “Isee”, whom leitmotiv was:”My body behind my eyes”. Alice Odilon Self-portraits. 1984. All rights reserved.

- “Syndra Raynaud”, the Amputated Hand, always smoking cannabis during the long sessions of therapeutic relaxation.

The hemiplegic Hand Syndra Raynaud. Alice Odilon. copyrights

 

- “Isabelle Caro’s soul” as an audit and a Art Teacher in Akan’s Tower.

Isabelle Caro painting.

 

- “Whouh”, the Wolf Masked Doll, a leader in energy therapy.

“Whouh” the Wolf masked doll and “Weacky”, the shy Ragdoll cat.

 

- “Weaky” the Ragdoll cat, the inseparable friend of Whouh.

- “Mova” the running avatar taking care of bringing prescriptions as soon as possible in every flat of the 4 flours Rehab center.

- “Allegraka” the unfinished avatar, with a changing head and thin waist, the flying teacher.

Yes the “FLYING” teacher, the best thing in treatment, allowed to patients having done efforts to struggle and discover themselves.

 

In final, the complete team counted 10 members, Akan included and was ready to begin the A-Casting.

Alice ODILON 2011 27/06. all rights reserved.

 

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L’Anti-Plein de l’anorexie

09/12/2009 By Leave a Comment

 

 

Blythe Spumellaria copie

"Blythe Spumellaria". copyright Alice ODILON 2009. No clone is free. All rights reserved.

 

L’être anorexique recherche son anti-plein.

De cette partie manquante elle ne peut faire le deuil

et cherchera toujours à engendrer une réaction d’annhilation entre le (+) et le (-)

tout en rêvant que le (-) restera en nombre malgré les lois physiques

inventées par les scientifiques.


Elle mime le non-être.


Dans ce caractère domine le néant.

Elle passe plus de temps dans sa préparation à vivre

que dans son éclosion et sa maturation.

Ainsi l’anorexique se situe sur terre en phase de pré-existence

ou de post-existence.

Elle ne vit pas notre présent.

Il est donc possible d'imaginer le néant de l’anorexie comme une dimension

de non-existence où le sujet y trouve sa place à un instant donné

sans atteindre la phase vivante, et ainsi ne jamais retourner au néant.



Blythe before and after Life

"Blythe Before and after Life". Copyright Alice ODILON 2009. No clone is free. All rights reserved.

 

 

Ce qui semble s’effacer par l’opération de négativité de l’anorexie se conserve

par transformation et se redessine sous une autre forme, différente.

La négativité de l’anorexie pousse les choses,

elle défriche les sentiers du devenir et inaugure la voie du renouveau.

 

 

 

Blythe Haeckel 01 copie

"Blythe Haeckel et la constante du renouveau". Copyright Alice ODILON 2009. No clone is free.  All rights reserved.

 

 

L’énergie du vide anorexique est la quantité d’énergie présente

et mémorisée pour atteindre le point zéro et tracer le "corps espace temps."


L’oeuf anorexique et cosmique correspond à un germe de non-être qui pousse

le sujet à son devenir actif.


L’anorexique passe d’un état d’avant-existence (existence subie) passive

et sans mouvement à un état d’"existence poussée."

Cette poussée apparaît comme une évacuation du corps lui-même

mais cependant est l’essence d’un langage codé, gestuel,

liant temps et espace.

La poussée de la forme essentielle, (l’essence de la forme,)

aboutit à une nouvelle phase de post-existence intermédiaire

entre l’apparence subie et l’action

de la "forme essence",

amenant de nouveau à un état de pré-existence.

La néantification de l’anorexie stoppe toute évolution continue

des identités subites, des certitudes sans fondements, des engagements fatalement aveugles.

L’oeuvre de négation de l’anorexie ne repousse pas pour autant tout l’être subi

dans un non sens.

Elle le porte au contraire à un surcroît de vie, de sens ou de créativité

par transformation.


 

DSCF6402 copie 2

"Blythe par transformation". Copyright Alice ODILON 2009. No clone is free. All rights reserved.


Cette poussée vient du néant, se nourrit du manque et s’invente dans le temps et l’espace.

Elle est en mouvement , c’est son seul mode d’existence.

 

The anti-full of anorexia


The anorexic girl seeks her anti-full.

The lost of missing part can not be accepted

and always the a-girl seeks to create a reaction Annihilation between (+) and (-)

while dreaming that the (-) remains in number, in spite of the physical laws

invented by scientists.

She mimics the non-being.

In that character dominates the void.

She spends more time in preparing to live than

in her birth and maturation.

Thus the anorexic girl is located on land in pre-existence

and post-existence.

She does not live our present.

It is therefore possible to imagine the nothingness of anorexia as a dimension of

non-existence in which the subject finds its place at one short time

without reaching the alive stage, and thus never returns to nothingness.

What seems to disappear by the negativity of anorexia, keeps,

transforms and redraws itself in another form, different.

The nothingness of anorexia pushes things,

it clears the path of becoming and opens the road to renewal.


The  "anorexic vacuum energy"  is the amount of present energy

saved to achieve the zero point and  to draw a "space-time body"

The anorexic and cosmic egg is a germ of non-being which grows subject to its active becoming.

The anorexic girl  "lives" a passive (suffered existence ) and motionless pre-existence in a state of "advanced life."

This drive appears as an evacuation of the body itself, but nevertheless, is the essence of a coded language, gestures,

linking time and space.

The thrust of the essential form, (the essence of form) leads to a new phase of post-existence through

between appearance and sustained action of the "form species", bringing back to a state of pre-existence.

The dashing anorexia stops any continuous development of subjected Identities, unfounded certainties,

fatally blind commitments.

The Denying work of  anorexia does not mean pushing all subjected beings in nonsense.

It is instead an extra life, or sense of creativity by transformation.

This push comes from nothing, feeds from the lack and  invents itself  in time and space.

The anorexic girl is on constant move, it is her only mode of existence.



Alice ODILON. December 2009.

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Anorexic Blythe

14/10/2009 By Leave a Comment

“Blythe” © 2009 Hasbro. All Rights Reserved.

If I consider that prominence of sight pulsion, body image distortion, control of mind are signs of anorexia,

I can think that “Blythe Doll” might be a representation of an anorexic doll or anorexic girl.

Did you have already eyes contact with Blythe?

Their impact is the first thing you would remind from her, as they’re huge and her  bright face as well comparing the scale of her puny body.

And it works!

Thousand of people wants to have Blythe because something is so strong in her!

I dare to think that’s her great eyes and her special build with a huge head and a frail body could be a successful combination for being memorized, and becoming special and loved.

These cute, puppy proportions have the WOW “factor”.

And that approximately the same drastic strategy that an anorexic girl tries to use.

Isabelle Caro.

en.wikipedia.org/wiki/Isabelle_Caro -

http://neigeisabelle.blog.mongenie.com/

She wants to connect with your mind, not with your body.

A sort of hypnosis is going to occurs between her and you.


“Self-portrait” Alice ODILON. copyright 1984. No clone is free


She avoids physical contact, in using an overwhelming X-ray glance,  because she has put her small body on one side and she wants to do the same with yours.

There’s no space between her soul and yours.

Why?

- Because her own very bad and poor experience of “her Mother’s holding-handling”.

{“But what happens if the mother does not provide the holding environment in which the Child can grow and become a healthy self, or provides too much stimulation, for example to painful levels?

The child’s psychological development ceases and experiences impingement.

He could feel ignored, because his desires are not answered and could experience problems in his own subjectivity.

The child can even become traumatized, and develope a sense much more than another.

{Winnicott felt that a good-enough mother allows herself to be used by the infant (Doll) so that he or she may develop a healthy sense of omnipotence which will naturally be frustrated as the child matures.

Winnicott’s theory is especially innovative regarding his conceptualization of the psychic space between the mother and infant, neither wholly psychological or physical, which he termed the “holding environment” and which allows for the child’s transition to being more autonomous.

This concept of the “holding environment” led Winnicott to develop his famous theory of the “transitional object”.

Winnicott felt that a failure of the mother — the not-good-enough mother — to provide a “holding environment” would result in a false self disorder, the kind of disorders which he saw in his practice.”}.

http://mythosandlogos.com/Winnicott.html


So I love Dolls, Blythe espacially, because she has been very clever to introduce herself in the heart of many people that unconsciously have a fondness for prominence use of their scopic pulsion.

So do I.

Alice ODILON. 15 Octobre 2009


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